best horror movies after 2010

But then, of course, producers began trying to force prestige onto these same pictures and the rest is groan-worthy history. – Chris Cabin, Sinister is the first horror movie in a long time to really get under my skin. As Robert Legard, Antonio Banderas is a chilling portrait of one such remorseless genius, spurred on by grief and a thirst for revenge. Alexandre Aja protege Franck Khalfoun maintains the scuzzy nastiness of the original film, but updates it with sleek, stylish photography and a gimmick that would easily sink a film with inferior technical execution. It’s a sleek, scary look that lends itself to some stunning visuals. Byrne creates a feeling of unease and a haunting atmosphere that requires the viewer to fill in the rest of the blanks, but the film’s biggest asset is its impressive character development. The POV element makes every kill so intimate that the film almost victimizes its viewers, but if you have the stomach for it, Maniac is a first-rate slasher that will make you think twice about walking home alone at night. – Chris Cabin, In remaking one of George A. Romero's lesser-known masterworks, Breck Eisner spins a chilling vision of unexplained, untreatable madness, and suggests that his true place was always in horror, rather than in unbearable adventure pictures like Sahara. A complete list of Horror movies in 2010. Zombies, vampires, werewolfs and many other horror classics. October 30, 2019 1:24 pm. –Meagan Navarro, Hailing from Poland, The Lure marries the grim origins of Hans Christian Andersen’s The Little Mermaid with a fevered disco dream awash in a neon haze. From monsters and slashers to haunted hotels, here are the best horror movies to watch right now . Even more exciting is the promise of what’s to come from all the bold new voices. Thanks to an ingenious core concept, Cabin in the Woods lets you have loads of fun with familiar situations, victims and creatures, but also lets you indulge and appreciate them in a whole new way - like all at once in an elevator bank for example. This conflict is seen in all her relationships; her claustrophobic intimacy with her mother (Barbara Hershey), her sensual rejection at the hands of her brilliant director (Vincent Cassel), for whom she is never quite good enough, and her lust for her fellow ballerina Lily (Mila Kunia), who lacks technique, but dances easily with the verve Nina cannot possess. At the same time, production companies like Blumhouse and New Line continued to double down on the potential for horror franchise hits with the enduring appeal of IP like Halloween and IT. Sometimes there are gems with a great atmosphere like Midsommar, but Get Out was the first horror movie that gave me chills. Evil, played with warmth and ample comedic spirit by Alan Tudyk and Deadbeat's Tyler Labine, are just looking for a good weekend of fishing and beer-drinking when they are suspected of being heartless killers by some dopey college kids. “Horror movies don’t really scare me, so for me they are mostly meh. The creature feature has never been as poignant or as romantic as it is in Spring. From major box office franchise starters to early adopters of the Stephen King renaissance to even the avant-garde and experimental, the 2010s have delivered an embarrassment of riches in horror. Most of her harrowing journey was internal. Pin. In his sixth film Kim Jee-Woon proves himself a master craftsman of violence, setting the film in a slightly fantastical version of real world where killers, cannibals and rapists lie around every corner, and where a body can withstand an ungodly onslaught of violence, if only so that violence can continue. – Chris Cabin, The titular backwater buddies of Tucker & Dale vs. Tumultuous times call for provocative movies that explore our deepest, darkest fears through the safety of our seats, and audiences have craved scares on the big screen these past 10 years like no other. The best horror movies might seem like a strange thing to have typed into Google, especially when we're all scared enough by reality. The rumblings of a quality horror comeback felt during the 2000s morphed into a full-blown renaissance during the 2010s. Not only do these images exemplify West's formal confidence and inventiveness, they also allow the louder flourishes of the images of angry specters and phantoms all the more bracingly terrifying when they're finally released. It all leads up to a massacre of a final act, rife with B-horror tastelessness that will alternately have you groaning with disgust and applauding with righteousness. Director Jalmari Helander paces this strange and hugely enjoyable with the zippy pace of a Christmas comedy, and in the script, he beautifully balances the pulpy elements of the story - poor hunters ransoming St. Nick - with the perspective of one of the hunters' children (Onni Tommila), who rightly takes the warning of a belligerent, lunatic Clause very seriously. Director Agnieszka Smoczyńska makes one powerful feature debut by infusing a fairy tale coming-of-age story with autobiographical elements from her youth, including the film’s seedy night club setting. Citizen Kane, a regular choice for critics’ best-loved film. It’s allowed a slew of innovative, new filmmakers to start making films with a creative intimacy and fearlessness like never before. A sheriff (Timothy Olyphant) and his pregnant wife (Radha Mitchell) find themselves at the center of a seeming plague of murders, when local denizens of a small Midwest town start killing friends, neighbors, and family members for unclear reasons. that become the implements and enablers of these murders. Enter Mike Flanagan, who transformed an impossible-to-adapt novel into a compelling psychological and visceral horror movie. Now, we’re just as likely to consume film from the comfort of our own homes through streaming platforms or digital rentals, if not more so, as we are to have the traditional theatrical experience. October 1, 2020 by EJ Moreno. And it’s an Oscar winner as well.” 5. Paced brilliantly and edited with rhythmic visual nuance, Insidious doesn't have the sharpened sense of character that The Exorcist or The Changeling do, but it's unmistakably one of the true heirs to those films' electrifying way of conveying the confusion, instability, and fright of being haunted by those things one cannot see and are not meant to exist. And so he does; graphically, gruesomely, and regularly, taking home their scalps (peeled from their heads while they’re still alive, of course) as trophies of the kill. Everybody’s a comedian. – Chris Cabin, In this lovingly dour parable, Santa Clause is not a hefty connoisseur of milk and cookies with a sack full of presents but rather a starved, lanky psychopath (Peeter Jakobi) chiseled out of a mountain for a pretty penny. RELATED: 10 Asian Horror Movies To Watch If You Liked The Grudge 100 Best 2010s Horror Movies. Horror movies in the Public Domain, free to watch. The men with animal masks are, indeed, human and in this, Wingard excises the element of hopeless slaughter, making the fight between the family and their assaulters somewhat even, minus the crossbows, axes, and such. Revisiting 'Sense & Sensibility,' 'Crouching Tiger, Hidden Dragon,' & 'Brokeback Mountain', 'Mank' Actor Tom Pelphrey on His 90-Minute Zoom Audition with David Fincher, The Best Arnold Schwarzenegger Comedies, Ranked, The 19 Best Classic Movies on Movies Anywhere for a Nostalgic Throwback, Olivia Cooke on 'Sound of Metal,' Capturing the Magic of Live Music, and Bleaching Her Eyebrows. It was a horrible year for most things, but an excellent one for horror. It was only this year that Grau returned to features, with the mildly disturbing Big Sky, but with We Are What We Are, he's crafted a stylish and sinister cannibal picture, one of the best of the sub-genre in fact. Horror has, in many ways, taken up the mantle of the B-movies code of creativity, using often itty-bitty budgets to create atmospheric, expressive visions of terror and the grotesque side of humanity’s desires. – Chris Cabin, Few directors have had as much fun with death and destruction as the prolific Shion Sono has. The film is relentless and grueling, and the roles of predator and prey are in a constant state of revolution as the two find new ways to inflict pain and sabotage each others’ lives. A remake of William Lustig’s 1980 cult slasher of the same name, Maniac stars Elijah Wood as Frank, a withdrawn owner of a mannequin store who is tormented by a compulsion to stalk and kill women. In a subversion of its usual role in horror, here heavy metal is a savior for the struggling artist tempted by the demonic force inhabiting his family’s new home. Watching Matt Dillon seamlessly trade one coat for the next —  from reclusive creeps to would-be drill sergeants, dickhead boyfriends to ticking time bombs — warrants the kind of twisted humor that would make Bret Easton Ellis blush. And yet, Let Me In is nearly as visually dazzling, and features great performances from Chloë Grace Moretz as the young female vampire and Kodi Smit-McPhee as the boy who falls for her. I recently mentioned this in my review of his second feature, The Devil’s Candy, but it’s a wonder some big studio didn’t snatch him up fast immediately after The Loved Ones hit theaters. Meaning, no one believed it could translate to screen. It just meant that anyone who had a fondness for cheap scares and cheaper effects in the same vein as Sean S. Cunningham could now make something similar with a production budget well under a million. (That took awhile, by the way, as the film was originally finished in 2009 but didn't hit theaters until November 2010.) – Perri Nemiroff, Two employees (Sara Paxton and Pat Healy) spend their final days working at the soon-to-be torn-down Yankee Pedlar Inn attempting to find proof of the ghosts and angry spirits who haunt its hallways and rooms. Ethan Embry delivers a standout performance as the father torn between his profound love for his family and the allure of artistic success. After Kyung-Chul (Choi Min-sik) brutally slaughters the love of Kim’s (Lee Byung-hun) life (and mother of his unborn child), Kim sets out on an elaborate quest for vengeance. It stars Ethan Hawke as Ellison Oswalt, a true crime writer who’s desperately searching for the grisly material that could lead to his next big hit. Here's mine well not all horror but definitely too scary that gives a scariness more than that 1. The landscape of how we consume film has changed dramatically, as well. I’ve got a Sinister poster hanging in my apartment and, to be honest, every once in a while I wonder if it’s a bad idea to have an image of him in my home. It's one of those rare ghost tales that uses color with almost percussive attention, most notably in the bright red streaks of the man with the long, sharp nails, but the most eerie part of this story of suburban possession, with Patrick Wilson and Rose Byrne playing parents to a troubled boy, is when the lights go out. It’s Almodovar, so of course it’s beautiful, but it’s also repulsive as the director puts a pitch-black spin on some of his favorite subjects; identity, intimacy, gender, sexuality, and obsession are all explored in perverse, horrific ways in this nightmarish psychological thriller that refuses to offer easy answers to life's messiest questions. A psychedelic and wild overture that seamlessly blends styles and tone, Smoczyńska delivered a profoundly assured and captivating horror musical that makes her one to watch. Brent respectfully declines her offer, but that doesn’t stop her and her father from throwing their own private party, tying Brent to a chair and forcing him to be the guest of honor. Only a few years in, and this decade is already shaping up to be a classic. Take a look at the best horror movies of the decade so far, including Insidious, Sinister, You're Next, and The Conjuring. When the sadistic patriarch of the household, Chris (Sean Bridgers) finds a feral woman (Pollyanna McIntosh) in the woods near their isolated country cottage, he does what any reasonable person would do — kidnaps her and chains her in the cellar. The sheer volume of ferocious horror films by bold new voices that debuted this decade is astounding, and this list is a clear reflection of that. It’s an exciting time for horror movie fans, and as evidence from this list, attempting to break down the decade in merely thirty films is a daunting task. Last year, Why Don't You Play in Hell? Through Nina’s quest to realize her womanhood, Aronofsky takes us into the horror of madness, perfectionism, and art by revealing the indelible ties between them. The 30 best horror movies of all time. So we’ve gone over to Metacritic to pick out the best-reviewed films released from 2010 onwards. The same went for most genres of filmmaking that were given brand-new vistas with digital becoming the new norm. That’s not to say it isn’t terrifying, though: At a hefty 155 minutes, this Dantesque dissertation on the serialized depravity of its lead character — and our own carnal obsessions with his every move — refuses to pull its punches. 10 Best Horror Movie Posters Of The 2010s, Ranked. The digital landscape hasn’t just changed how we consume film, but how these films are made. In the age of the sequel, it’s easy to forget how many great original movies have come along this decade. A whimsical romance abroad flirts with imminent danger, yet an emotional earnestness grounds it. – Haleigh Foutch, The crowning achievement of James Wan's fascinating filmmaking career thus far, Insidious packs on its roaming, fluid shots with endless amounts of tension and bursts of nightmarish nonsense. 10 Best Horror Movies of the 2010s 10. –Meagan Navarro, The House That Jack Built is a comedy from Lars von Trier. Along the way, Kim becomes every bit the monster Kyung-Chul is, unconcerned about the trauma suffered by the would-be victims. Tags: A Horrible Way to Die, Best Horror Movies of 2010, Bitter Feast, BLACK SWAN, Buried, Devil, FROZEN, HOW TO BE A SERIAL KILLER, I Saw the Devil, Let Me In, MEAT GRINDER, Paranormal Activity 2, RARE EXPORTS, Red White and Blue, Stake Land, Tell-Tale, THE CRAZIES, The Last Exorcism, The Legend of Beaver Dam, THE LOVED ONES, The Troll Hunter, Tucker and Dale Vs. See, the entire story, including every vicious murder, is told through the eyes of Frank, literally putting the audience inside the mind of the killer. Think Before Sunrise, but with talons and tentacles. Best Movies Since 2010 by tlo1996 | created - 02 Nov 2012 | updated - 11 months ago | Public Refine See titles to watch instantly, titles you haven't rated, etc. Even if you ignored all the thematic density and sense of stylish detail that Wingard gives this film, You're Next would remain one of the best slashers to see release as of late, blending ample humor with inventive deaths and a line of genuinely clever twists. And yet, at the same time, a slew of smart, young filmmakers used the freedom that digital allowed to start making films of astonishing ferocity and intimate detail, as much in horror as in drama, comedies, musicals, or film noirs. As the detective sinks deeper into the case, involving a missing inmate (Emily Mortimer), the battle to find a way off the storm-ravaged island becomes as much external as internal, fighting against the paranoid bureaucracy while attempting to claw out of the gnarled abyss of his own memory and imagination. Nor does that label quite explain the pangs of romance that begin to bubble up between Labine's character and Katrina Bowden's Allison, the sole college kid who doesn't judge Tucker and Dale straight-off. John Boyega makes one heck of a big screen debut, commanding the screen as the leader of the group, Moses, and he’s surrounded by a bunch of lovable ragtag friends, giving the movie a very appealing, Goonies-like feel. By Louise Blain 10 December 2020. Benson and Moorhead elevate a simple story with suspenseful sequences, captivating creature transformations, and ingenious defiance of genre convention that claws its way into your heart. Obsessed with getting his career back on track, he decides to fully immerse himself in the work and has his family move into the exact house where the murders happened. Co-directors Justin Benson and Aaron Moorhead staked a significant claim in indie horror with this stunning and genre-bending meet-cute of a troubled man from the U.S. and the mysterious woman from Italy with a dark, deadly secret. The 50 Best Comedies of the 2010s. From The Devil's Rejects to High Tension, the slasher film has been turned on its head, presenting evil as something truly frightening instead of just an excuse to throw blood and guts at the screen. More than any other decade, the 2010s have taught us that horror can come from anywhere and everywhere, and we can’t get enough. Advances in digital filmmaking have opened the floodgates to young creatives, but nowhere have these new opportunities been felt than in the horror market. He thinks he finds it in the story of a family of four that’s found dead, hanging from a tree in their backyard. The Best Horror Movies Of The Decade [2010s] The Playlist Staff. 10. Genre films from Poland, Iran, Mexico, Australia, South Korea, and beyond have put out horror films that defy convention and classification, yet chill us to our core just the same. A lot can be said for David Robert Mitchell’s It Follows. Comment. We've posted and updated this list a few times over the years, but with the decade drawing to a close, it's time to The back-half of the decade has seen the arrival of just as many new up-and-coming voices, including critical and commercial successes from Jordan Peele and Ari Aster, festival favorites from international filmmakers like Julia Doucournau, Coralie Fargeat, Issa López, and Panos Cosmatos. Christmas is the best time for ghost stories. By Marija Delovska Dec 01, 2020. Share. It’s tease-and-denial without the sexual satisfaction, as Kim allows Kyung-Chul to hunt victim after victim, busting through the door just in time to deny Kyung-Chul his murderous release. Her emotional journey moves at a brisk speed, punctuated by euphoric triumph and moments of stark terror. – Haleigh Foutch, Attack the Block hit theaters the same weekend as Cowboys & Aliens, and while one poured millions into wowing crowds with big names and set pieces but never made much of an impression, the far smaller production with the first-time feature director is the one that rocked the creativity, laughs and spunk to make it an unforgettable genre mashup. Share Share Tweet Email. – Chris Cabin, Keep an eye on director Sean Byrne. Anyone who saw David Robert Mitchell’s charming coming-of-age debut The Myth of the American Sleepover (2010) would have been unlikely to predict his next venture would be a horror movie, not least one so endlessly provocative and relentlessly unnerving. For decades, horror has often been relegated to B-movie fare and tended to be considered a lesser-than genre outlier. It Follows (2015) Director: David Robert Mitchell. Covering the hottest movie and TV topics that fans want. Horror films are rarely as atmospheric and emotionally resonant as Let the Right One In is, and the chances of the remake being as acutely expressive of adolescent sexuality and the eerie first pangs of love were next to zero. Here in America, however, horror has become a cottage industry today, and we produce more of this particular genre than any other country, which arguably says something not entirely pleasant about our tastes. 10 Best Christmas Horror Movies. Horror has connected us entirely on an international scale, as well, redefining the boundaries of the genre along the way. For her lead mermaid sisters, Golden and Silver, genres collide as they navigate their way through lust, love, and the exploitive nature of the modern world. Reddit. Not just an expert homage to the likes of Val Lewton and the great Jacques Tournier, Shutter Island counts as the most audacious experiment yet from Martin Scorsese, and arguably his most challenging film since the hugely under-appreciated Bringing Out the Dead. Natalie Portman leads the film in possibly the finest work of her impressive career as Nina, a prima ballerina cast in the role of The Sawn Queen, who simply wants to be perfect. His wild, divisive Halloween 2 laid quite a lot of groundwork for the violent psychological tremors Zombie unleashes, but The Lords of Salem is a shockingly personal descent into the void, tracking one woman's (Sheri Moon Zombie) slow-moving embrace of her role in the coming of the anti-Christ. The ease of production didn’t necessarily mean that those who envisioned and made these films had the scrappy problem-solving abilities that Walter Hill had, or even had the heightened sense of composition that made Carpenter a legend. Directors like Wes Craven and John Carpenter emblemized this kind of thinking in the 1980s and early 90s, but the scene exploded with the advent of digital filmmaking in the oughts and, soon enough, the market was flooded with…well, mostly junk. The movie is brimming with clever and wickedly entertaining genre references, but Joss Whedon and Drew Goddard don’t stop there. And like so many frightening stories, the monster isn't entirely put back in the closet when the film ends, suggesting that, along with a storyline involving chemical weapons, our undiluted, bestial nature has already gone way beyond the point of no return. Before Sunrise, but with talons and tentacles his family and the allure of artistic success torn best horror movies after 2010... A quality horror comeback felt during the 2000s morphed into a full-blown during. The Black Swan than that 1 hotels, here are the best horror movie Posters of the Black Swan horror... 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